我看过由中国国家画院书法篆刻院举办的当代中国写意篆刻研究展,展示形式新颖、风格面目多样,囊括了除工稳印风以外的所有风格,展现了很强的包容性。无论是写意篆刻、写意印风,还是创意印风、新概念篆刻等等,展览的名称都可以商榷,关键在于它是一种存在,有它存在的合理性,也有必要探讨其发展中的问题。 I have read the Contemporary Chinese Freehand Seal Cutting Research Exhibition organized by the Calligraphy and Seal Cutting Institute of the Chinese National Academy of Painting. It displays a variety of styles, including all styles except for the stable style, showing a strong inclusiveness. The key is that it is a kind of existence, its existence is reasonable, and it is necessary to discuss its developing problems .