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新疆作为中国自然环境最独特、民族风情最浓厚的地方之一,有着丰富的艺术创作题材选择范围。但就新疆山水画而言,它是中国画创作中的一个新课题,尚处在发展的初期,充满生机和活力,独具地域特色,也取得了很大成就。但与内地画家相比,目前还没有完全形成自己的地域性风格,定位并不是很明确,在全国的影响力还远远不够,新疆山水画出现新疆山水大家群体和风格群貌的灿烂局面还很遥远。有了明确的定位,才能找出差距,认识到不足之处。在今后山水画的创作实践中才能取得更高的成就,结出丰硕的果实。
As one of the most unique and ethnically-rich areas in China, Xinjiang has a rich selection of subject matter for artistic creation. However, as far as landscape painting in Xinjiang is concerned, it is a new topic in the creation of Chinese painting. It is still in the initial stage of development. It is full of vigor and vitality, unique geographical features and great achievements. However, compared with the mainland painters, there is not yet fully formed their own regional style, positioning is not very clear, the influence in the country is far from enough, Xinjiang landscapes appear all groups of landscapes and style and style of the brutal situation is still very distant. With a clear positioning, in order to find out the gap, recognize deficiencies. In the creative practice of landscape painting in the future to achieve higher achievements, bear fruitful results.