在历史意识、情感深度、美学语言等方面,陈秋林的作品以其对地域性、边缘性的探查而提供了一个锋利的切入点,同时突显出批判性的思考必须在对影像叙事的抵抗与体察之间不断往返。也正是由于持续往复的审视,这些影像经过再现、重构情感与记忆的过程,形成虚实相生、绵延的叙事关系。从《别赋》(2002)、《江河水》(2005)、《花园》(2007),到其代表作《空 In terms of historical consciousness, emotional depth and aesthetic language, Chen Qiulin’s work provides a sharp entry point for his exploration of regional and marginalization while highlighting that his critical thinking must be resisted and observed in the narrative of images Between the constant return. It is precisely because of the continuous review that these images, through the process of reappearing and reconstructing their emotions and memories, form a narrative relationship that stretches from reality to reality. From “Do not Fu” (2002), “River Water” (2005), “Garden” (2007), to its representative "empty