中国设计的发展是应该屈服于全球化的背景,顺应国际化市场的需求,忽视地域性文化特征,走“千篇一律”的国际主义设计道路,还是应该根植于民族民间文化,塑造地域性设计文化特征,发展具有民族特征的设计文化?这种关于中国设计的本土化和国际化的话题已经不是什么新鲜话题,从上世纪二三十年代至今,这样的话题并不陌生,深受民族主义理论家、后现代主义设计师等人群的青睐,在很多重要的历史时期留下了无数精彩、激烈的论战。无论哪场论战, Should the development of China’s design surrender to the background of globalization, conform to the needs of the international market, neglect the regional cultural characteristics, follow the “one size fits all” internationalism design path, or should it be rooted in the national folk culture and create a regional design? Cultural characteristics, the development of a nationally-based design culture? This topic on the localization of Chinese design and internationalization is not a new topic, from the 1920s and 1930s so far, this topic is no stranger to the popular nationalism Theorists, postmodern designers and other people of all ages, in many important historical period left countless wonderful, intense debate. No matter what the debate,