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弗里达·卡罗是20世纪墨西哥著名的女性画家,她将绘画目光对准自己,尤其是她自身的疾病、痛苦、残疾、性生活以及对死亡的恐惧。在她的整个创作生涯中,有将近三分之二的自画像。这些作品除了被赋予了浓厚的墨西哥风情,更是注入和流露出弗里达的内心情愫。本文将结合马斯洛的层次需要理论和弗里达·卡罗的人生际遇与艺术人生,来探索弗里达自画像中对安全感以及爱与被爱的需求,进一步理解和探寻心理层次与艺术之间千丝万缕的联系。
Frida Carlo, a famous Mexican female painter of the twentieth century, focuses her painting on himself, especially her own illness, suffering, disability, sexual life and fear of death. Nearly two-thirds of her self-portraits throughout her creative career. In addition to these works have been given a strong Mexican style, but also infuse and reveal the inner feelings of Frida. Combining Maslow’s hierarchy theory with Frederic Caro’s life experience and artistic life, this article explores the need for security and love and beloved among Frida’s self-portraits, and further comprehends and probes into the psychological hierarchy and art Between the inextricably linked.