自1949年5月西安解放至1964年4月陕西省全省禁演传统戏这一时期,秦腔音乐在继承传统的基础上得到了很大的发展。陕西省政府对秦腔音乐改革投入了大量的人力、物力、财力,有力地促进了秦腔艺术的发展与创新。在戏改方针的指导下,秦腔被纳入国家文艺发展的轨道。在新文艺政策及艺术观念的指引下,易俗社成为承担国家意识形态宣教工作的国营剧社。同民国期间相比,秦腔艺术无论在唱腔、过门、器 Since the liberation from Xi’an in May 1949 to the traditional performance of banned performances in Shaanxi Province in April 1964, Shaanxi Opera has made great progress on the basis of inheriting the tradition. The Shaanxi provincial government invested a great deal of manpower, material and financial resources in the reform of Qincun music, which effectively promoted the development and innovation of Qincun art. Guided by the principle of revise, Qin chamber was included in the development of national art. Under the guidance of the new literary policy and artistic conception, Yi Suo She became the state-run drama company undertaking the mission of state ideological mission. Compared with the period of the Republic of China, both in the art of Qin cavity singing, crossing the door