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艺术理论家谢泼德认为,“如果我们反思一下我们对艺术所作出的反应,我们就会发现,其中有许多反应取决于两个相互联系的假定:第一个假定是,艺术家们所做的事情之一就是表现他们的感情;第二个假定是,这种表现是审美价值的源泉之一。”谢泼德的话道出了现代美学与艺术发展的趋势,那就是:传统的模仿与再现美学观逐渐受到了挑战,艺术实践也越来越青睐表现说。表现逐渐成为了现代美学的一个重要范畴。学界普遍认为,表现即艺术品传达出了作者的情感及其体验,但事实上,如果立足于情感结构模式,我以为,“艺术表现情感”传达的并非个人情感,而是客观的情感结构模式。艺术是情感结构模式的表现,强烈的个人情感的自我表现其实内含了深厚的人类情感结构模式。
According to the art theorist Shepherd, “If we reflect on our reactions to the arts, we find that many of them depend on two interconnected assumptions: the first is what the artists do One of the things is to express their feelings. The second one is that such performance is one of the sources of aesthetic value. ”“ Shephard’s words point out the trend of modern aesthetics and art development: the traditional imitation With the aesthetic view of reproduction gradually challenged, artistic practice is also increasingly favored performance. Performance has gradually become an important category of modern aesthetics. The academic community generally believes that performance is the art that conveys the author’s feelings and experiences, but in fact, if based on the emotional structure model, I think ”artistic expression of emotion " is not a personal emotion, but an objective emotion Structure mode. Art is the manifestation of the emotional structure model. The strong self-expression of personal emotions actually contains profound human emotion structure patterns.