论文部分内容阅读
谈到以水为题材的中国古代美术作品,熟悉者无不会想到故宫博物院藏宋代马远的《十二水图》卷。此图传神人微地表现了水的各种情态,或海门浩浩,巨浪翻涛;或烟波茫茫,浅濑平流,洵为现存作品中登峰造极之作。除此之外,历代具体描绘水的画作数量不少。但是以水为主题的书法作品似乎较少见,上海博物馆藏明代祝允明书《一江赋》卷就是这样一卷难得一见的重要作品,让人觉得通过文字传达,从意象中升华的水景,同样可以琉璃千顷,变化万状,相较于具象的眼中水景亦不遑多让。
When it comes to ancient Chinese art with water as the theme, all familiar with the “12 Water Map” volume of the Great Hall of the Palace in the Song Dynasty. This figure expressive man micro-performance of the various modalities of water, or the vast Haimen waves tumultuous; or Yanbianmian, Seto advection, Gao for the extinction of the existing works. In addition, there are quite a few paintings depicting water in all ages. However, it seems that calligraphy with water as the theme seems to be rare. The collection of the “One Jiang Fu” volume of the Ming Dynasty in Shanghai Museum Collection is such a rare and important piece of work that people feel that water features sublimated through images, The same can be a thousand hectares of glass, changeable, compared to the image of the water in the eyes is not too much.