吴昌硕最擅长写意花卉,号清末四杰。受徐渭和八大山人影响最大,由于他书法、篆刻功底深厚,他把书法、篆刻的行笔、运刀及章法、体势融入绘画,形成了独步画坛的“金石画风”。吴昌硕所作花卉木石,笔力老辣,力透纸背,纵横恣肆,气势雄强,布局新颖,构图也近书印的章法布白,虚实相生,主体突出。本文就对其晚年画风的进行分析。 Wu Changshuo is best at freehand flowers, the number four at the end of the Qing Dynasty. By Xu Wei and Bada Shanren most affected, because of his calligraphy, carving deep foundation, he calligraphy, carving of the line pen, transport knife and chapter law, physical integration into the painting, forming a solitary painting altar “stone style.” Wu Changshuo made of flowers and stones, pen and ink, through the paper, vertical and horizontal unbridled, magnificent momentum, layout novel, the composition of the book is almost book of law cloth white, the actual situation, the main prominent. This article analyzes the style of his later years.