我运用视觉干扰的策略,大胆地进行一种笔墨游戏。早期在四川美术学院锻炼了我较强的抽象能力、构成能力以及捕捉形象的“存质”能力。作为四川山水画家,我所关注的不是山林小景、田园牧歌。我尊重自己的内心感悟,认为一个画家应该与自然相互呼应,因此将多年来对大峡谷的崇拜与敬畏之情一一挥洒在作品中。我从小生活在四川大凉山深处,对周围的环境有着深厚的情感。大渡河、金沙江一路奔腾,澎湃的河水撞击在两侧完全直立的岩壁上,彝族的小村落静静地矗立在大峡谷中间。我经常穿梭于千沟万壑、危崖横亘之 I use the strategy of visual interference, a bold pen and ink game. Early in the Sichuan Academy of Fine Arts exercise my strong abstraction, ability and ability to capture the image of “quality”. As Sichuan landscape painter, I am not concerned about the small forest, pastoral idyll. I respect my inner feelings and think that an artist should interact with nature, so I will devote myself to admiring and awe of the Grand Canyon over the years. I grew up in the depths of Liangshan in Sichuan and have deep feelings for the surrounding environment. Dadu River, Jinsha River all the way Pentium, the surging river hit completely upright on both sides of the rock, Yi village quietly stands in the middle of the Grand Canyon. I often shuttle in the valleys, cliffs lie along