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黄梅戏在梅开三度后,经过短暂的酝酿、反思、沉淀和积累后,今年又进入了创作的丰收年。安庆的《孔雀东南飞》、铜陵的《青铜之恋》、池州的《魂断杏花村》、省黄的《长恨歌》,都以自己鲜明的艺术个性和不同的美学追求掀起了黄梅戏创作的新高潮。令人欣慰的是在当前戏剧界正喋喋不休地讨论中国戏剧命运的时候,安徽的黄梅戏艺术家们却在舞台上大胆改革,求变求新,在戏剧不断适应时代、适应观众、适应市场,发扬光大传统优秀文化方面迈出了重要的一步。我以为当前黄梅戏在创作上进取的成绩有三点。
After three years of plum blossom, the Huangmei opera has entered a bumper harvest this year after a brief brewing, reflection, precipitation and accumulation. Anqing’s Peacock Flying to the Southeast, Tongling’s Bronze Love, Chizhou’s Soul-off Heng Fa Chuen, and Huang’s Everlasting Regret Song all set off new creations of Huangmei opera with their distinct artistic personality and different aesthetic pursuits climax. The good news is that in the current drama industry is chattering about the fate of Chinese drama, Anhui Huangmei opera artists have boldly reformed on the stage, seeking new ideas. They are constantly adapting to the times, adapting to the audience, adapting to the market and promoting the tradition Outstanding culture has taken an important step. I think there are three achievements in the current performance of the Huangmei opera.