“以蹊径之奇怪论,则画不如山水;以笔墨之精妙论,则山水绝不如画。”这句话是董其昌关于绘画和自然的关系的一则论述,出自<画禅室随笔),用今天的白话来直译非常困难,可能是概念系统发生了变化。为屈就本文的述说,权且做这样的解释:就景象的生动、新奇来说,绘画不如自然;但就形式 “The strange theory of the novel, then draw as landscape; with the exquisite theory of ink, the landscape is not worth the painting. ” This is Dong Qichang on the relationship between painting and nature of an argument from the < It is very difficult to literally translate in today’s vernacular language, perhaps because the conceptual system has changed. For the sake of this article, I would like to make the following explanation: in terms of the vividness and novelty of a scene, painting is not as natural as painting;