黄杨木雕艺术发展到今天,已进入了一个全面创新的时期。从题材的创新到技法的创新,都进入了一个前所未有的新阶段。而题材的创新与技法的创新是相辅相成、互为表里的,新的题材的诞生有赖于技法的变革,技法的创新往往又孕育着新的艺术表现力的扩张和延伸,甚至直接孕育和催生出新的品种。新的品种出现之后依旧有赖于艺术家在新的领域的开拓创新,赋予新品种以新生命。这就是艺术的辩证法。笔者从事黄杨木雕艺术创作已经30余年,17岁即师从中国工艺美术大师叶润周学习黄杨木雕艺术,擅长人物雕刻;作品多次参加国内外展出并获奖。《苏东坡》 Boxwood art development to this day, has entered a period of total innovation. From the theme of innovation to technical innovation, have entered an unprecedented new stage. The theme of innovation and technical innovation are complementary and mutually supportive, the birth of a new theme depends on the change of technical methods, technological innovation often bred with new artistic expression of the expansion and extension, or even directly birth and birth A new breed. After the emergence of new varieties still depends on the artist’s pioneering and innovative fields, giving new varieties to a new life. This is the dialectics of art. I have been engaged in boxwood carving art creation for more than 30 years. At the age of 17, I learned art of boxwood carving from the master of Chinese arts and crafts, Ye Runzhou. I was good at character carving. She has exhibited and won many prizes at home and abroad. “Su Dongpo”