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城市化进程以突飞猛进的速度进行着延展,都市人群本真生活状态的描摹与情绪体验为国产电影提供了较为广阔的叙事空间。以公路电影为视角,将社会转型时期都市的个体心理、精神与价值等问题,置于影像话语的框架之下,以期实现对社会变迁的民众精神生态进行考察。国产电影作为一种重要的文化话语实践,影像叙事应该保持价值意识,在不断变化的多元文化环境中觉察时代的欲求和心声,寻求人类共同的心灵故乡。电影叙事在某种程度上应当成为人类生命意识形态再生产的过程,同时也应该成为不同历史时期民间心态史的重要记录资料,影像叙事有必要更加关注民间叙事的视角,并不断实现转型时期民众精神成长的观照。由此,国产电影寻找、建构起自身的文化主体性,书写自身民族价值取向的历史发展脉络,依旧是不容忽视的重要方向与命题。
The process of urbanization is progressing by leaps and bounds. The tracing and emotional experience of the real life of the urban population provide a vast space for narration of domestic movies. From the perspective of highway cinema, the individual psychology, spirit and value of the city during the period of social transformation are put under the frame of image discourse in order to carry out an investigation of the public spiritual ecology of the society. Domestic movie as an important practice of cultural discourse, image narration should maintain its value consciousness, perceive the desires and aspirations of the times in a constantly changing multicultural environment, and seek the common spiritual hometown of human beings. To a certain extent, the movie narration should become the process of the reproduction of the ideology of human life, and at the same time, it should become an important record of the history of folk psychology in different historical periods. It is necessary for the video narrative to pay more attention to the perspective of folk narration and to continuously realize the popular spirit in the transitional period The growth of the view. Therefore, it is still an important direction and proposition that domestic movies should look for, construct their own cultural subjectivity and write their national values.