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我国玉器制作有着悠久的历史。清代中期玉器生产较为繁荣。乾隆廿年至廿四年,西北额鲁特蒙古、新疆回部问题的解诀,打通了和阗玉石进入中原的通道,玉石源源不断地运入内地和宫廷。因此,传统的治玉技巧不断发展,乾隆朝雕琢技艺更趨成熟,雕琢了不少大件玉器,流传至今,可谓重器。紫禁城外东路樂寿堂内,从乾隆四十五年就陈设着两件大型玉雕,“青玉雲龙玉甕”和“丹臺春晓”玉山。而今,樂寿堂已闢为故宫博物院珍寶馆陈列室之一,这两件玉雕仍在此展出。青玉雲龙玉甕,是乾隆四十一年
China’s jade production has a long history. Jade production in the mid-Qing Dynasty is more prosperous. From 20 years to 24 years of Qianlong, the solution to the problem of returning to the northwestern part of Lhut Mongolia and Xinjiang has opened up channels for entering jade into the Central Plains with jade jade. The jade is continuously transported to the hinterland and the court. Therefore, the traditional treatment of jade techniques continue to develop, Qianlong carving cut craftsmanship more mature, carved a lot of large jade, so far, can be described as weight. Outside the Forbidden City outside the East Lok Shou Church, forty-five years from the Qianlong on display two large jade carving, “sapphire Yunlong jade urns” and “Dan Tai Chunxiao” Yushan. Now, Lok Shou Church has been opened as one of the National Palace Museum Treasures Exhibition Hall, the two jade carving is still on display. Qingyu Yunlong jade urn, is Qianlong forty-one years