与中原地区相比,贵州地处偏远,考古出土金属饰品并不丰富,而且分布也极不均衡。综合贵州省博物馆藏出土金属饰品,以毕节地区、黔西南、安顺地区、遵义地区较为丰富,而其他地区则偏少。这些金属饰品所反映出来的时代差异,大致体现了贵州夷夏关系的演变。春秋至两汉是中原对贵州的第一次移民,贵州出土春秋至两汉时期的金属饰品,大致反映了中原地区金属饰品特别是金银器的制作工艺和文化审美;三国至唐时期,是前期移民及其后裔逐渐土著化的过程,其金属饰品的制作工艺和文化审美,在延续前代风格的基础上,带有浓重的地域文化特色;宋至明时期,贵州各民族形成,金属饰品也以各少数民族的文化审美为主导。本文力图通过对贵州省博物馆藏 Compared with the Central Plains region, Guizhou is located in remote areas, archaeological unearthed metal jewelry is not rich, and the distribution is also very uneven. Integrated Guizhou Provincial Museum unearthed metal jewelry, to Bijie, Qianxinan, Anshun, Zunyi more abundant, while less in other areas. The differences reflected by these metal ornaments reflect the evolution of Guizhou’s Yixia relationship. The Spring and Autumn Period to the Eastern Han Dynasty were the first immigrants to Guizhou from the Central Plains. The metal ornaments unearthed from the Spring and Autumn Period to the Eastern Han Dynasty in Guizhou roughly reflected the production process and cultural aesthetics of the metal ornaments in the Central Plains, especially the gold and silver wares. From the Three Kingdoms to the Tang Dynasty, And its descendants gradually indigenous process, the production of metal jewelry and cultural aesthetics, in the continuation of the style of the previous generation, with a strong geographical and cultural characteristics; Song and Ming Dynasties, the formation of various ethnic groups in Guizhou, also with a small number of metal jewelry Ethnic cultural and aesthetic-led. This article tries to pass through the collection of Guizhou Provincial Museum