当今中国艺术市场受全球金融危机的影响,艺术品的价格大幅回落,多数画家的作品已被“打回原形”。这其中既有经济萧条所造成的原因,也有当代艺术自身存在炒作的泡沫因素。中国的艺术市场已进入重新洗牌的阶段。收藏家今后将主要关注作品的艺术价值,更加理性地定位艺术品的价格。一些靠拉关系混官职和头衔或因包装炒做而有名无实的画家的作品将逐步被市场所淘汰,而那些真正有实力、有独创风格的艺术家的作品将会被市场重新定位进而受到藏家的长期关注。在目前许多画家都心情浮躁、急功近利的今天,也有少数画家甘于寂寞,以自己成功的艺术实践捍卫着艺术的独立和学术的尊严,对这类画家我们应给予更多的关注。本期介绍的是承传统没骨笔法、创意象阳光画派的著名画家田黎明。 Today’s Chinese art market is affected by the global financial crisis. The prices of works of art have dropped dramatically. Most artists’ works have been “back to their original form.” Among these are both the causes of the economic downturn and the bubble factors in the speculation of contemporary art itself. China’s art market has entered a phase of reshuffling. Collectors will mainly focus on the artistic value of their works in the future and will more rationally locate the prices of works of art. Some artists who rely on their relationships and titles or who are famous for their packaging and packaging will be gradually eliminated by the market. Those truly capable and original artists will be re-positioned by the market to gain long-term possession attention. At present, many painters are impetuous and gain instant success today. Some painters are willing to be lonely and defend artistic independence and academic dignity with their successful artistic practice. We should pay more attention to such painters. This issue is introduced by the traditional non-bone method, the creative image of the famous painter Tian Liming School of painting.