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从元杂剧到明清传奇,中国戏曲的传统形式是曲牌联套体制。伴随着梆子腔的兴起,一种新的戏曲体制——板式变化体戏曲出现了。这种新的体制使我国戏曲艺术发生一次重大变革,也为戏曲的发展开辟了广阔的道路。如果没有梆子腔创造的板式体制的出现,就不会有清代地方戏曲的崛起;也正是因为戏曲艺术形式上的这一次解放,才使广大群众直接参加戏曲创作活动成为可能。然而,在很长一段时间里,梆子腔的形成和发展史的研究基本处于空白状态,随着近代声腔剧种发展,其源流的研
From Yuan Zaju to the legend of the Ming and Qing dynasties, the traditional form of Chinese traditional opera is the system of Tunes. With the rise of the clapper cavities, a new kind of opera system, a variety of ballads, appeared. This new system has brought about a major change in Chinese opera art and has opened up a broad path for the development of opera. Without the emergence of the slab system created by the clan cavities, there will be no rise of local opera in the Qing Dynasty. It is precisely because of this emancipation in the form of opera art that it is possible for the broad masses to participate directly in the drama creation activities. However, for a long time, the research on the history of the formation and development of Bangzi was basically in a blank state. With the development of modern soundtracks,