论文部分内容阅读
1960年的春节期間,中央文化部在首都举行了木偶戏、皮影戏观摩演出,集中了十个省市的优秀木偶剧团和皮影剧团,进行了为期十九天的观摩演出,演出了五十多个剧目,显示了有悠久历史的我国木偶、皮影艺术,在社会主义时代里,在毛主席文艺思想的指导下,有了惊人的发展和提高。这是我們这个时代的艺术,它和其他艺术一样,在毛主席思想紅旗的引导下,大踏步地跨进了60年代。现实告訴我們,木偶、皮影艺术之花,是如何开放起来的。你去訪問一下任何一位木偶、皮影的老艺人,他們都会告訴你一段辛酸的往事。旧社会看不起他們,不要他們,他們只能带着他們仅有的几个破旧的木头人,几张陈旧的皮影,在茶館酒楼、街头巷尾,度着沿門求乞的日子。到解放前,在全国几乎找不
During the Spring Festival of 1960, the Central Ministry of Culture held puppet shows and shadow play shows in the capital. The outstanding puppet theater troupes and theatrical troupes in ten provinces and cities participated in the 19-day performance and performed more than 50 performances The repertoire shows that the puppetry and shadow art in our country, with a long history, have witnessed remarkable developments and improvements under the guidance of Chairman Mao’s literary thought in the socialist era. This is the art of our time. Like other arts, it has made great strides in the 1960s under the guidance of Chairman Mao’s red flag. The reality tells us how puppets and shadow art flowers are opened up. You go to visit any puppet, shadow old artist, they will tell you a bitter past. The old society looked down upon them and did not want them. They could only bring their begging days along the gate with their few old wooden figures and old stereotypes in the teahouse and in the streets. Until liberation, almost did not find in the country