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我不经常到访澳大利亚。所以,每次去那里我都得充分利用时间。上月远赴悉尼艺术节的时候,我不但看了多场演出,还偷偷走进排练室先睹为快,观看了我飞离澳大利亚之后才开演的剧目制作。当天,我走过后台长廊,在准备观看澳大利亚歌剧院排演威尔第的《假面舞会》(A Masked Ball)时我心里惦记着的却是《塞魅丽走秀》(Semele Walk)的首场演出——《假面舞会》虽由著名西班牙拉夫拉前卫剧团(La Fura dels Baus)创办人阿莱克斯·奥洛(Alex Olle)执导,充满了未来主义和极富寓意的奥威
I do not often visit Australia. So, every time I go there I have to make full use of the time. When I went to the Sydney Festival last month, I not only watched many performances, but also sneaked into the rehearsal room and watched the repertoire produced after I left Australia. On the day I walked through the backstage promenade, the headline of Semele Walk in my mind when I was preparing to watch A Masked Ball of Verdi’s Australian Theater rehearsal Performances - The “Masquerade”, directed by Alex Olle, founder of the famous Spanish La Fura dels Baus, is full of futurism and awe-inspiring Aowei