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在内蒙古油画的发展进程中,蒙古族人物形象一直用他特有的厚重感和朴实性感染着每位生活在片区域的画家们,在一代代画家的不断努力和创新下,不同时期的内蒙古油画肖像画创作当中,人物形象也在不断的被画家们赋予新的意义。人物形象的演变总是和当时的时代背景以及画家心境是吻合的,从早期表现草原生活的那种热闹和喜气,到成熟期表达人物精神的坚韧,孤独,朴实。这无疑表明了内蒙古油画从初期的尝试真实的再现生活,到后来从生活中升华提炼,使画面具有一种对人性对生命的强烈
In the course of the development of oil painting in Inner Mongolia, the Mongolian characters have been infected with every unique painter and earthly artist in every area. With the continuous efforts and innovations of generations of painters, the paintings of Inner Mongolia in different periods Among the portraits of portraits, characters are constantly giving new meaning to painters. The evolvement of the character image is always consistent with the background of the times and the mood of the painter. From the lively and festive expression of the grassland life in the early stage to the tenacious, lonely and simple expression of the spirit in the mature stage. This undoubtedly shows that Inner Mongolia oil painting from the initial attempt to reproduce the true life, and later refined from life to refine, so that the picture has a strong human life