现在美国最大的无冕之王,排在首位的非马丁·西科塞斯莫属,他早期几乎每一部作品都足以名留青史,但每次和奥斯卡都擦肩而过。不过这些功利的东西对于他早已不太重要,因为他在我们心中的地位,是永远无法撼动的。本人认为,马丁·西科塞斯是好莱坞把商业和艺术结合得最完美的导演,可能大家会提到斯皮尔伯格,可除去《辛德勒的名单》和《拯救大兵瑞恩》等影片外,斯氏的大部分影片还是偏重于娱乐方向。看马丁的电影是个奇妙的过程。他的作品题材一般都涉及黑帮,背景一般都在纽约,揭露的现实一般都是黑暗且残酷的,这样的特点就决定了他的作品的受众群体是有限的,所以好多人很可能只是听说他的名气而没有接触过太多他的作品。之前,我对好多同类题材的电影也并不是很感冒,可就是这样不太能够引起你兴趣的题材,却让你在看完后突然发觉自己早已被深深地吸引住,陷入其中而且觉得厚重无比,这绝对不是一般导演能达到的效果,更难得的是,他几乎每一部作品都让我有同样的厚实感。同样的感觉我在《拯救大兵瑞恩》的观影过程中也体会过。从《出租车司机》的暴力惨烈,到《好家伙》的人世无常,到《愤怒的公牛》的完美展现,到《赌城风云》的歇斯底里,再到《恐怖角》的恐惧战栗,但凡我看过的这些作品,都会深深地刻在记忆中,并不一定是具体的某个情节,而是那种添堵在胸口的厚实,或表现为压抑,或表现为苍凉,像极了读完史 Now the largest non-crown king in the United States ranks first in the genus of non-Martin Scorsese. In the early days, almost every single piece of his work was famous enough to stay in the world, but every time he was with Oscars. However, these utilitarian things have long since become less important to him because his position in our hearts can never be shaken. In my opinion, Martin Scorsese is Hollywood's most perfect commercial and art director, you may mention Spielberg, remove “Schindler's List” and “save soldier Ryan” and other films In addition, most of Sri Lanka 's films still focus on entertainment. Watching Martin's movie is a fantastic process. His works are generally involved in the theme of gangsters, backgrounds are generally in New York, exposing the reality are generally dark and cruel, and this feature determines the audience of his works is limited, so many people probably just heard His reputation has not touched too much of his work. Before that, I was not caught up with a lot of movies of the same genre, but it was such a theme that I was not able to arouse your interest. I suddenly found myself deeply enthralled, trapped in it and felt heavy Very incomparable, this is definitely not the effect of general director can achieve, even more rare is that he almost every piece of work let me have the same thick feeling. The same feeling I have in the process of watching the movie “Saving Private Ryan”. From the brutal violence of “taxi drivers” to the impermanence of “good guys” to the perfect show of “angry bull”, to the hysteria of “gambling scene” and then to the fear of “horror horns”, whenever I These works have been seen deeply engraved in memory, not necessarily a specific plot, but the kind of Tim in the thick chest, or to suppress or show desolation, like the most read history