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2016年4月16日国家大剧院举办了“第五届中国交响乐之春”系列音乐会之“中国国家芭蕾舞团交响乐团音乐会——十面埋伏”。在此,作曲家、音乐理论家王树的名字也随着他的代表作交响叙事曲《十面埋伏》的重演再度引起了音乐界的关注。如同那一代其他默默无闻、低调谦虚的老前辈一样,王树的创作和理论成就似乎已随着岁月的流逝逐渐
On April 16, 2016, the National Grand Theater held the “Concert of the Fifth Chinese Symphony Spring” and the series of “China National Ballet Symphony Orchestra Concert - Ambush”. Here, the name of composer and music theorist Wang Shu re-attracted the attention of the music field with the repetition of the “ten-sided ambush” of his symphonic narrative. Like other obscure, low-key, modest, veteran generations of the generation, Wang Shu’s creation and theoretical achievements appear to have gradually come down as time goes by