本文以王尔德的喜剧《一个无足轻重的女人》中塑造的女性形象为切入点,讨论了剧中女性对自己的生存生活境遇所做的回应,指出王尔德看似着重描写的“无足轻重的女人”只有一位,但实际并不止一位,从而彰显了王尔德现实主义的创作手法及其女性观。 This article starts with the female images shaped by Wilde ’s comedy “a marginal woman” and discusses the women’ s response to their living and living situations. It points out that Oscar Wilde ’s seemingly emphatically described "indifferent woman There is only one person, but there is not more than one person in fact, thus demonstrating Oscar Wilde’s realist approach to creation and his feminism.