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本文采取了用同一模式对不同研究对象进行条理性归纳和解读性互证的方法,求取对于东亚古典舞蹈发展规律的学术性表述,并将东亚舞蹈圈从理论上放置到当下全球化的话语环境之中进行定位,为今后进一步开展对于东亚、亚洲、世界舞蹈文化的研究工作,预设了一个契机。为了全面彻底地研究中国古典舞,我日本和韩国作为两面镜子,把视角由从内向外,改为从外向内或者说自上而下。通过对于中、日、韩古典舞蹈之发展模式、审美标准、运行机制、艺术素养、舞蹈势态、史学方法这六大切入点,对中日韩三国古典舞蹈进行了多方位,多视角,多层次,多交叉的纵向爬梳与横向比较论述。
This article adopts the same model of different subjects to conduct a generalized induction and interpretation of the mutual proof method, to obtain the academic expression of the development of classical dance in East Asia, and the East Asian dance circle from the theoretical to the current global discourse Environment for positioning, in order to further carry out the study of dance culture in East Asia, Asia, the world, presupposed an opportunity. In order to conduct a thorough and thorough study of the Chinese classical dance, Japan and South Korea, as two-sided mirrors, changed their perspective from inside out to outside or from top to bottom. Through the six entry points of the development mode, aesthetic standard, operation mechanism, artistic accomplishment, dance style and historical method of the classical dance of China, Japan and South Korea, this paper makes a multi-directional, multi-perspective, multi-level , Multi-cross vertical combing and horizontal comparison.