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被誉为日本现代玻璃工艺先驱者的藤田乔平,以其惊人的创造力和精美绝伦的作品,向世人展示了具有日本传统风采和西方现代情调相结合的玻璃工艺的巨大魅力。由于藤田的作品饱含“日本之美”的意匠性,因而在世界范围内赢得了极高的声誉,形成了具有鲜明个性的“藤田世界”。 笔者有幸于1991年在东京拜观了这位玻璃工艺大师的个展,当时盛大的展览会是为了庆贺藤田乔平七十寿辰而举办的,展出的作品是对其创作生涯的回顾,代表了他各时期的艺术风格。那些精美而神奇的作品至今依然记忆犹新。当时给我留下的最深刻的印象就是:这位玻璃工艺大师为冰冷无情的具有工业社会性格的表现媒体赋予温暖宜人的日本情调,这种独特的艺术境界的创造,是传统文化与现代文明相互撞击而产生的崭新而绚丽的“火花”。 藤田乔平于1944年毕业于东京美术学校工艺科雕金部,但他酷爱玻璃工艺,不久便走上了玻璃工艺的道路。他说:“起初真有点像是不知山是什么,海为何物一样,拿着自己的人生作赌而步入玻璃工艺这一行的。”选定了这条艰难的道路,他便坚定地走了下去,在这块土地上一直耕耘了45年。
With astonishing creativity and exquisite workmanship, Qiaotian Fujita Fujitsu, a pioneer of modern glass technology in Japan, shows the world the great charm of the glass craft with the combination of Japanese tradition and western modernity. As Fujita’s work is full of “the beauty of Japan,” she has won a worldwide high reputation and formed a distinctive “Fujita world.” I was fortunate to have a solo exhibition of the master glass master in Tokyo in 1991, when the grand exhibition was held to celebrate the 70th birthday of Fujita Joe-ping. The works on display were a review of her creative career and represent His artistic style of each period. Those beautiful and magical works are still fresh in their memory. The most impressive impression left on me at the time was that the glass master gave a warm and pleasant Japanese touch to the merciless media of industrial social character. This unique artistic realm was created by traditional culture and modern civilization New and brilliant “sparks” produced by colliding with each other. Fujita Fujio graduated from the Sculpture Department of the Tokyo Academy of Fine Arts in 1944, but he loved the glass process and soon took the path of the glass process. He said: “At first it was a bit like knowing what the mountain was, what the sea did, and taking our own life as a bet to enter the glass craft.” Having chosen this difficult road, he walked firm Go on, in this land has been cultivated for 45 years.