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任薰的《花鸟四屏》系一套组画,分别由春景《牡丹孔雀》、夏景《荷花鸳鸯》、秋景《芙蓉鹭鸶》、冬景《竹石雄鸡》四幅画作组成。在中国传统绘画的审美理念中,很早便有艺术可以超越时空的意识。王维作画多不问四时,人们所熟知的其“雪中芭蕉”即为这种超时空意识的生动体现。沈括《梦溪笔谈》谓其“造理入神,迥得天意,此难可与俗人论也”。到了宋代,
Ren Hsu’s “Four Screens of Flowers and Birds” is a set of paintings composed of four paintings of Spring Peony Peony, Summer King Lotus, Autumn Fury Heron, and Winter Scene Bamboo Rooster. In the aesthetic ideas of traditional Chinese painting, art had an early awareness of time and space. Wang Wei’s paintings do not ask four o’clock, people are well-known for its “snow banana” is a vivid expression of this space-time consciousness. Shen Kuo, “Meng Xi Bi Tan” that its “reason into God, do not have God, this is difficult to do with the layman also ”. To the Song Dynasty,