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生活艺术化的深层内涵,不在于悦人耳目的声色之美,而在于提高人的精神境界,在于心灵美。本文结合海德格尔、布伯、李贽等思想家的相关论述,着重阐明心灵美之超越感性美的特点。艺术品之美的本性,在于超越(不是抛弃)日常物品的功用性,创造出一个全新的(一次性的)世界。“全新”之为全新,在于一反常态生活中功用性之“非功用性”。这是一种不同于生活情态的审美情态。生活艺术化、审美化,必然地、自然地蕴含着人的道德境界、精神素质的提高。当前社会生活中的某些低俗之风,损毁了艺术的神圣性,非真实的艺术和审美,也有违德育之旨意。
The deep connotation of artistry of life is not in the pleasant beauty of eyes and ears, but in enhancing the spiritual realm of man and in the beauty of soul. This article combines Heidegger, Buber, Li Kui and other thinkers related to the discussion, focusing on the beauty of the soul beyond the characteristics of perceptual beauty. The beauty of artwork is the nature of surpassing (not abandoning) the usefulness of everyday objects and creating a brand new (disposable) world. “Brand new ” as a new, is the function of “non-functional ” in an unnatural life. This is an aesthetic modality that is different from life style. Life art, aesthetic, inevitably, naturally contains the moral realm of mankind, improve the quality of the spirit. Some vulgar winds in the current social life have ruined the sacredness of art, unrealistic art and aesthetic appeal, as well as the moral will.