笔者从事雕刻事业已半个世纪,几十年来操刀未断,曾涉及过象牙雕刻、红木浅刻、紫砂壶刻、竹刻等多个门类。在各雕刻艺术门类中,我最热衷于竹刻。竹刻分多种技法,如浮雕、透雕、圆雕、留青、翻簧等,这些技法长期以来在上海的嘉定、江苏的常州、浙江的黄岩等地的民间或多或少地流传着。年轻时,我对各种竹刻技法都有兴趣。由于留青技法与书画关系密切,文化内涵丰富,研究课题多,作品清秀淡雅,视觉效果甚佳,故此技法成为我事业的土攻 Engaged in carving business has been half a century, decades of fencing, has been involved in ivory carving, mahogany shallow, Zisha pot engraving, bamboo carving and other categories. Among the various carving art categories, I am most keen on bamboo carvings. There are many techniques of bamboo carving, such as relief, openwork, round sculpture, leaving the green, turning the spring, these techniques have long been more or less circulated in Jiading, Shanghai, Changzhou, Jiangsu, Huangyan in Zhejiang. When I was young, I was interested in all kinds of bamboo craftsmanship. As the techniques of leaving the green are closely related to calligraphy and painting, rich cultural connotations, many research topics, elegant and elegant works and good visual effects, the technique has become the soil attack of my career