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本文以沈周早期,也就是其四十岁这个年代的作品特别是《九段锦图》册(日本京都国立博物馆藏)为中心,探讨沈周作品典据的来源,并检讨他的“古典”意识,或者说他的仿古意识的样态。
This essay focuses on the origin of the texts of Shen Zhou’s works from the works of Shen Shen Zhou, that is, the works of his 40s, especially the “Jiu Duan Jin Tu” album (Kyoto National Museum Collection), and reviews his “Classical” Consciousness, or the style of his antique consciousness.