早在九十年代初,李晓军就以他的那些不拘一格的写意花鸟为画坛所熟识。他的作品说是写意花鸟,其实除了荷花、水仙、石榴、牡丹、和平鸽、报喜鸟等传统的题材之外,现代社会中的红绿灯、汽车、电线杆等也时常有所表现。所以,对李晓军,并不能仅仅以花鸟画家视之。题材的广泛运用一方面反映出画家的画路比较开阔,另外也说明作为一位生长于现代大都市中的画家,李晓军的花鸟画是在传统与现代两个极点之间作有意识地深入与开拓。换句话说,现代题材的运用与画家植根传统的历练在李晓军作品中是并行不悖的。李晓军的花鸟画远绍赵之谦、虚谷、吴昌硕等近代大家,看他用笔 As early as the early nineties, Li Xiaojun was familiar with his eclectic and freehand flowers and birds. His works are freehand flowers and birds. In addition to the traditional themes of lotus, narcissus, pomegranate, peony, dove of peace, birds of prey, and so on, the traffic lights, cars and telegraph poles in the modern society often show up. So, to Xiao-Jun Li, and can not just flower and bird painter. On the one hand, the broad application of the theme reflects that the painter’s painting style is relatively open, and also shows that as an artist who grew up in a modern metropolis, Li Xiaojun’s flower and bird painting is a conscious and in-depth exploration between the two poles of tradition and modernity. In other words, the use of modern themes and painters rooted in traditional experiences in Li Xiaojun’s works are in parallel. Xiao-Jun Li’s flower and bird paintings far introduce Zhao Qian, Xu Valley, Wuchang Shuo and other modern people, see him with a pen