中国的戏剧危机是价值危机和有欣赏兴趣、支付能力的消费群规模太小的危机中宣部文艺局局长杨新贵在去年底推进文化强省建设高层论坛上,在质疑各地竞相兴建“大剧院”之风的同时,倡议文化场所建设要亲民、实用:“与其花几个亿建容纳千人的大剧院,不如多建几个只能容纳50～100名观众的小剧场,遍布城市各处,方便百姓看演出。”此语引发业内热议,人们普遍认为它切中我国表演艺术事业命门——戏剧消费 China’s drama crisis is a crisis of value and a crisis in which consumers who enjoy interest and affordability are too small. Yang Xuanui, director of the Bureau of Literature and Art of the Propaganda Department, urged at the high-level forum on building a strong culture province at the end of last year, It is better to build several smaller theaters that can hold 50 to 100 spectators all over the place The city everywhere, to facilitate people to see the show. "This language sparked the industry hot, it is generally believed that it cut into the life of our performing arts career door - drama consumption