一“题材”的说法,比如“主旋律题材”、“革命历史题材”、“农村题材”、“工业题材”等等,曾经在并且现在也仍然在电影制作的具体运作中,发挥着具体的规范和推动作用。这首先就是某种命定的定单和指标分配,其次是对影片内容及形式的特定要求。当然,随之而来的是辅之以某些优惠政策。因此“题材”在这里的目的性以及实践方式,都是实实在在、可以明确指认的。也就是说,“题材”一说只有 A “theme” argument, such as “theme theme”, “revolutionary history theme”, “rural themes”, “industrial theme” and so on, once and now still in the concrete operation of film production, to play a specific specification And to promote the role. This is, first of all, some sort of destined order and indicator allocation, followed by specific requirements for the content and form of the movie. Of course, accompanied by some of the preferential policies. Therefore, “the subject” here, as well as the purpose of practice, are real, can be clearly identified. In other words, “theme” is only one