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陈泽远是当代四川文坛一位多栖、多产的作家,也是我十分敬重的一位学长。他从1960年大学毕业分配到温江地区的都江人民艺术剧院从事创作开始,数十年来,勤奋笔耕,硕果累累,在川剧、话剧、电影、电视、文论等各种体裁、各个领域都卓有建树。一、坚持正确创作方向,传统喜剧《花田错》和悲剧《寡妇怨》的改编令人瞩目陈泽远的戏曲创作,遵循“百花齐放,推陈出新”的方针和整理改编传统戏、新编历史剧和现代戏三者并举的剧目政策,坚持历史唯物主义的观点和现实主义的创作原则,以生活为源泉,
Chen Zeyuan is a multi-habitat and prolific writer in the contemporary Sichuan literary world and one of the seniors whom I respect very much. He graduated from the university in 1960 assigned to the Wenjiang River area Dujiang Art Theater for people to start writing for decades, hardworking, fruitful, in Sichuan Opera, drama, film, television, literary theory and other genres, Zhuo Zhuo Have a contribution. First, adhere to the correct direction of creation, the adaptation of the traditional comedy “Hana Tetsu” and the tragedy “widowhood” draw notable Chen Zeyuan’s opera creation, follow the principle of “letting a hundred flowers blossom, put forth new ideas” and organize and adapt traditional drama, new historical drama and modern drama The three repertoire policy, adhere to the historical materialism point of view and the creative principle of realism, with life as the source,