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以《古诗十九首》为代表的汉代文人五言诗，从内容上看，它继承了《诗经·国风》的优良传统，但是又不同于一般的歌谣，它是以抒写文人士子的世俗情怀、表现它们的生命意识为主体的创作。它既是男女之情的表露，更是对个体生命意识的张扬与悲叹。它的产生，标志着中国诗歌发展进入了一个新的时代，而且在艺术上取得了很高的成就，钟嵘赞赏它“文温以丽，意悲而远，惊心动魂，可谓几乎一字千金。”陆时雍在《诗镜总论》中评它：“深度浅貌、语短长情。”本文拟从以下四个方面对它作一些论述。
The five-character poem of the Han Dynasty, represented by “Nineteen Ancient Poems”, is content inheritance of the fine tradition of “The Book of Songs and the National Spirit”, but also differs from the general ballads in that it is based on the secular feelings of describing literati and scholars , The performance of their life consciousness as the main creative. It is not only the manifestation of the feelings of men and women, but also the public awareness of individual life and lament. Its emergence marks that the development of Chinese poetry has entered a new era and has achieved very high artistic accomplishments. Zhong Rong admired it as “gentle and gentle, and far away from melancholy. Lu Shiyong commented on ”The General Theory of Poetry“ in poetry mirror: ”The depth is shallow and the language is short and long." This article intends to make some expositions on the following four aspects.