在民族文化史的发展过程中,文人画是在民间艺术创造的传统艺术的基础上萌生和发展起来的。民间美术与文人画艺术两者之间的关系是一种互渗互融的关系。汉唐期间,不少民间优秀画工被召入宫廷作御用“黄衣画工”,与士大夫御用画家并肩作画,艺术上相互交流,相互影响是必然的,最具代表性的当推吴道子,画风豪放洒脱,泼辣畅快,形象简练夸张,过笔流畅而富有变化,召入宫廷之后,仍保 In the process of the development of the history of national culture, literati painting was initiated and developed on the basis of the traditional arts created by folk art. The relationship between folk art and literati art is a mutual infiltration relationship. During the period of Han and Tang dynasties, many outstanding painters of folk were summoned to the court for royal use as “yellow painters”, worked side by side with painters and artists, and interacted with each other in art, which is inevitable. The most representative one is Wu Daozi The wind is bold and free and easy, pungent and refreshing, exaggerating the image concise, pen smooth and rich change, after the call to the court, still Paul