成宇的作品是如此与众不同,他立足于对人和物的虚拟,更近乎一种自我构想的轻松娱乐,由此把人们带人极富戏剧性的现实语境。成宇的作品有一气呵成的气势和神韵,这也是他心性的最诚实的显现。那特有的厚重而浓烈的书写性笔触是后天无法学到的它是画家文化底蕴的自然流露和生存感悟的积累。传统戏剧中的小丑形象和西方工业时期的“老爷车”相遇,时间与空间、角色与自我的界限被彻底 Cheng Yu’s work is so distinctive that he is based on the virtual entertainment of people and things, more like an easy entertainment of self-concept, thus bringing people into the context of dramatic reality. Cheng Yu’s works have a cohesive momentum and charm, which is the most honest manifestation of his heart. The peculiar thick and strong writing brush strokes are acquired from the acquired sky, which is the accumulation of natural expression and survival perception of the artist’s cultural heritage. The traditional image of the clown and western industrial period “classic car ” meet, time and space, the role of self and the boundaries are completely