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《画继》是中国绘画史学史上一部五体兼备、褒贬分明的纪传体画史。邓椿用纪传体的体裁、纪传体的笔法为我们构建了一部宏伟的绘画史诗。它以人物传记为经,以时间为纬,再辅以杂论,为我们提供了一部北宋熙宁七年至乾道三年间中国绘画史的立体镜像。
“Painting Following” is a history of the history of Chinese painting history of a five-body, commendable and distinct body history. Deng Chun uses the genre of discipline and body style and the style of discipline and biography to construct a magnificent painting epic for us. It takes the biographical biography as the passage, the time as the latitude, supplemented by the Miscellaneous Theory, which provides us with a three-dimensional mirror image of the history of Chinese painting in the Northern Song Dynasty from seven years of Xining to Trunk Road for three years.