金银饰品上飘洒流畅的线纹描刻出东方绘画的气势,而它赋予的文化承载又让欣赏者进入一种“超以象外”的意境。黄白之物,似乎素来便碍了高雅的眼,几千年来却总有些匠人,在金银质地上,以錾刀为笔,在素底上走线,边走边打,将中国画的意韵与天人合一的诗境纳于方寸间,化铜臭为雅物。经他们之手后的金银,能让人一眼就忘却其本身的材质,那些苍劲的线条,或繁复,或简洁,却能引起人精神上的共鸣及感悟。 Gold and silver ornaments floating on the flowing line drawing depicts the momentum of the Oriental painting, and its cultural bearing and let the appreciator into a “super as the outside ” artistic conception. Yellow and white things, seems to have hindered the elegant eyes, for thousands of years there are always some tradesmen, in gold and silver texture, with trowel as a pen, in the prime of the line alignment, walking while playing, the meaning of Chinese painting Poetry and harmony with man and nature satisfied satisfied, between the bronze smelly objects. The silver and gold behind their hands can make people forget their own materials at a glance. The vigorous lines, complicated or concise, can arouse people’s spiritual resonance and sentiment.