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虚实与意境在中国古典美学中具有特色的范畴之一,概括了中国古代艺术家在长期的艺术实践中总结出来的一条创作原则与审美规律。本文从虚实与意境出发,探讨寿山石薄意雕刻创作中如何将设计者的情感转化为一种意象,使观者看到的不仅是薄意雕刻中的肌理、石头固有的色彩以及材质等,而是透过这些表面物象体验到一种深层的意蕴,让人感受到通过寿山石薄意雕刻形体语言使观赏者产生心灵的共鸣。
The actual situation and the artistic conception in China’s classical aesthetics have one of the characteristics of the category, summarizes the ancient Chinese artists in the long-term artistic practice summed up a creative principle and aesthetic law. This article, starting from the actual situation and the artistic conception, explores how to convert the designer’s emotions into an image in the creative work of Shoushan stone, which enables the viewer to see not only the texture in thin carving, the inherent color and material of stone, It is through these surface images to experience a profound implication, making people feel that through Shoushan stone-shaped body language sculpture to enable viewers to generate spiritual resonance.