在Vimeo上看完《香草》(2011)后我爱上了雅克·帕拉索这个点子。四十秒画面摇晃的短片里,他在一次展览开幕上把冰激凌往自己的脸、头发还有身上涂抹。随着《Drop It Like It’s Hot》的旋律随性地舞动身体,背景里围观的人们在向他拍手欢呼。对于我,一个业余美学和镜头表演的忠实粉丝来说,这场不以为耻的表演在平凡无奇的白盒子里极富火辣的艺术感。一个诚实的声音道出了创造性众所周知的本质——举棋不定、犹豫不决:“舞蹈开始于痛苦与无聊结合的那一刻。 After reading Vanilla (2011) on Vimeo, I fell in love with the idea of ​​Jacques Palazzo. In a 40-second shaky video, he smudged his face, his hair, and his body at the opening of an exhibition. With the melody of ”Drop It Like It’s Hot“ dancing with the body, the crowd of people in the background clapped at him. For me, an avid fan of amateur aesthetics and camera shows, this unscrupulous show has a very hot art feel in a mundane white box. An honest voice outlines the nature of the well-known creative - indecisive, hesitant: ”The dance begins with the moment of pain and boring.