《故乡相处流传》和《故乡面和花朵》以故乡倾诉的方式讽刺性摹拟了历史演变中的故乡和包含历史积淀的当下故乡的生存状态。本文试图沿着作品的话语态势,透过对作家非写实风格转向的体验,从重写传统、全球化语境和人种图景等几个维度来解析刘震云小说中戏拟表达的狂欢旨归。 “Hometown gets along with others” and “Hometown and Flowers” satirically imitate the living conditions of the homeland of historical evolution and the current hometown including historical accumulation in the way of hometown talk. This essay attempts to analyze the carnival intention of Liu Zhenyun’s fictional expression through the dimensions of the discourse of the work, through the experience of the non-realistic style of the writer and the rewriting of the tradition, the context of globalization and the human race.