北曲杂剧与南戏一前一后承袭发展,为我国的戏曲艺术奠定了繁荣的基础。以相同情节敷演故事的北曲杂剧《幽怨佳人拜月亭》和南戏《幽闺记》,因南北的相互融合使其在关目结构、人物形象、语言风格方面呈现出不同风貌。归纳总结出这与作家身份、文学样式、地域以及曲牌联套体制的不同有极大的关系,试图通过南北《拜月亭》的比较,探究北曲杂剧与南戏之间的继承关系。 The Bequish drama and the South opera inherited the development one after another, laying the foundation for our country’s opera art. Beiqu Opera “Resentful Lady” and “Yougui Ji” recorded in the same plot play a different style in terms of structure, character and language style due to the integration of north and south. This article summarizes the great relationship between writers’ identity, literary styles, regions and the different systems of the Tunes, and attempts to explore the inheritance relationship between the Bequish drama and the Nanxi opera through the comparison of “worshiping the moon pavilion”.