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二〇一五年早些时候阅读新梓未久的《销夏与清玩:以书画鉴藏史为中心》之际,我就在思考作者朱万章的研究理路。大致而言,艺术研究有其四重向度,一是有关鉴定层面的真伪辨论,二是立足审美层面的艺术分析,三是建立在时间轴上的历史判断,四是依托地域与空间的背景探讨。近些年来逐渐深入的以人(艺术家)或人群(艺术流派)为考察对象的个案研究及其方法,正体现了上述四重向度在不同程度上的综合糅汇。从朱万章的学术经历和研究兴趣来看,他是历史学专业出身,从事艺术研究则最
In early 2015, when I read the book titled “Summer Sale and Clearance: Focusing on the History of Calligraphy and Painting”, I was thinking of the research path of author Zhu Wanzhang. Generally speaking, the art research has its four directions, one is the authenticity of the identification level, the other is the artistic analysis based on the aesthetic level. The third is the historical judgment based on the timeline. The fourth is based on the geographical and the spatial Discussion of the background. In recent years, the case studies and their approaches, which focus on people (artists) or crowds (art schools), are gradually embodying the above-mentioned comprehensive integration of the above four dimensions in varying degrees. From Zhu Wanzhang’s academic experience and research interests, he is a history of professional background, engaged in art research is the most