论文部分内容阅读
“至情”是汤显祖创作的主导思想,而他所说的“情”是指包括性爱之欲在内的人生欲求。他在《牡丹亭》中强调“至情”的时候,矛头始终指向的是封建制度下的程朱理学和法律制度。在“情”与“理”、“情”与“法”的对抗之中,对“情”进行了热情的讴歌。一部《牡丹亭》既是浪漫主义戏剧创作的代表,又是作者自己政治理想的一种寄托。本文旨在通过对《牡丹亭》情立世界简单分析,从中看出作者“至情”思想下的理想追求和政治寄托。
“To love ” is the dominant ideology of Tang Xianzu creation, and what he said “love ” refers to the desire of life, including the desire of life. When he emphasized “Peony Pavilion” in Peony Pavilion, his spearhead always pointed to the Cheng Zhu Neo-Confucianism and legal system under the feudal system. In the “love” and “management”, “love” and “law” in the confrontation, “love ” was a passionate song. A “Peony Pavilion” is not only a representative of romantic dramatic writing, but also a kind of sustenance of the author’s own political ideal. The purpose of this paper is to find out the ideal pursuit and political sustenance under the author ’s “love” thoughts through the simple analysis of the world of “Peony Pavilion”.