宋炜:……值得称道和欣喜的是,从《土主纪事》开始,你也走了叙事一路—当学科间的可通约性丧失、“元叙事”和“大叙事”走向终极的时候,我发现,你纪事系列的作品中,有着一种抗拒和制衡“小叙事”的努力。而对字斟句酌的颠覆,将地域色彩颇浓的词恰到好处地穿插腾挪,更使这些诗歌与其他作品区别开来。我尤其看好《土主纪事》、《桂花园纪事》和《上坟》中开阔的语境、顾盼的语意和饱满的语言,其间的诗歌理路和法度遗泽深远、渊源有自,直可追溯至20世纪80年代的《家语》、《户内的诗歌和迷信》等。内中 Song Wei: ...... Commendable and delightful is that from the “Lord of the Chronicle”, you also go all the way narrative - when interdisciplinary discrepancies, “meta narrative ” and “big narrative Toward the end, I found that in your Chronicle series of works, there is a struggle to resist and check and balance ”small narratives.“ The word-for-word subversion overturns the words of a rather regional color to make the difference between these poems and other works. In particular, I am optimistic about the open contexts, stupid sentiments and full language in The Chronicle of the Landlord, The Chronicle of the Guihua Garden and Shangfen, which have far-reaching reasons for their poetry and history. 1980s ”family language“, ”indoor poetry and superstition" and so on. Inside