一何言宏:虽然我们在上海书展期间已经就《蟠虺》有过交流,这一段时间,文学界对《蟠虺》的讨论也比较多,但我总觉得意犹未尽。一方面,是我个人对《蟠虺》似乎还有话要说,似乎也还有问题需要请教;另一方面,就我所读到过的关于《蟠虺》的文字来看,有些问题还尚未涉及,有些涉及的方面,似乎也还有进一步深入与展开的必要。大家有一个基本的共识,就是都认为《蟠虺》是你自长篇小说《圣天门口》以来最为重要的作品,在你个人的创作史上,相当重要。实际上,我认为还不仅如此,在当下中国整个的文学格局中,《蟠虺》 What a macro statement: Although we have had exchanges on “Panhu” during the Shanghai Book Fair, there has been a lot of discussion in the literary world about “Panhu” during this period, but I always find it hard to find out. On the one hand, it seems to me that there is still something I still have to say about Pan-pac, and there still seems to be some problems that I need to ask for advice. On the other hand, in the text I have read about “Pan-pacific”, some problems It has not been covered yet. Some aspects that seem to be involved also seem to be necessary for further deepening and expansion. Everybody has a basic consensus that all think Poon Poon is your most important piece since the novel “Holy Days” and it is very important in your own personal history. In fact, I think more than that, in the current literary structure of China as a whole,