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本文论述南宋著名理学家包恢重“自然”的诗学观。对于诗歌创作，强调创作主体的创作动机须自然而发，以自己情志才性的自然发露与有感而应的自然之鸣，形成诗之自然本体；审美主体善于发现把握表现对象客体自然之美的本质，造物气象，须自大化混浩中沙汰陶熔出。得天工造化之妙，方见精彩；文体运用与艺术表达须自然而为，摒去人工匠气，臻至“天巧”境界。包恢的诗学以心学为根柢，在宋代程、朱理学家的诗论中别树一帜，是中国诗学批评史上颇有光彩的一家。
This article discusses the famous Southern philosopher bag emphatically reinstate “natural” poetics. For the creation of poetry, it is necessary to emphasize the creative motivation of the creative subject to come naturally. With the spontaneous emotions of emotion and talent and natural sensation, it should form the natural noumenon of poetry. The aesthetic subject is good at discovering and grasping the object, The essence of the beauty, the creation of weather, to be proud of the mixture of ho sand in the earthenware melting out. To Heaven’s wonderful fortune, see the wonderful side; stylistic application and artistic expression to be natural, to exclude artificial craftsmanship, reaching the “heaven and earth” realm. Bao Hui’s poetics is based on psychology and is unique in the poetry theory of the Cheng dynasty and the Neo-Confucianism of the Neo-Confucianism. It is a very glorious one in the history of Chinese poetic criticism.