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世纪转折点上的美国壁纸19世纪中后期是一个急剧变革的年代,不仅英国壁纸业如此美国壁纸业也不例外。至19世纪晚期,“美国壁纸”也越加成为一种工业性的存在,其规模性,技术性、市场性等特征愈加凸显。与此相伴的是壁纸作为产品或商品,其价格也更加低廉了,这是技术经济学涵义上的现代人类文明的演进结果之一。而在艺术趣味方面,由于美国与英国的天然“近亲”关联,美国壁纸所受的源自英国的影响自然非常明显,譬如当时美国的设计从业者伊斯特雷克(Charles Eastlake)在1872年出版的《家具趣味导引》(Hints on Household Taste)中就介绍了
The United States wallpaper at the turning point of the century was a time of dramatic change in the mid- to late 19th century. Not only was the wallpaper industry in the United Kingdom so unsurpassed in the wallpaper industry in the United States. By the end of the 19th century, “American wallpaper” had become more and more an industrial presence. Its scale, technicality, marketability and other characteristics have become increasingly prominent. Accompanied by this is wallpaper as a product or commodity, and its price is even lower, which is one of the evolutionary consequences of modern human civilization in the sense of technical economics. In terms of artistic interest, due to the natural and “close relatives” of the United States and the United Kingdom, the influence of the United Kingdom wallpapers on the British origin is very obvious. For example, at the time the United States design practitioner Charles Eastlake was It was introduced in the 1872 “Hints on Household Taste”.