过去3年,艺术品份额化交易引起了政府、学界、业界和媒体的极大关注和探讨。在它因为整改政策的出台而几乎销声匿迹,似乎已经盖棺定论的今天,本文将对在这次文化金融实验中扮演重要角色的文化产权交易所(以下简称“文交所”)做一次较为深入的反思和剖析。 Over the past three years, the art trade has drawn great attention and discussion from the government, academia, industry and media. As it has almost disappeared due to the introduction of the rectification policy, it seems that it has now been concluded that the paper will make a review on the Cultural Property Exchange (hereinafter referred to as the “Exchanges of Exchanges”) which plays an important role in this cultural and financial experiment More in-depth reflection and analysis.